This film shows the Polish master animator Jan Lenica working on his film Landscape, and explores the relationship of the artist between the real world and his fantasy visions.

一群叙利亚视频活动家（Daya Al-Taesh）因制作反 ISIS 喜剧小品而在土耳其东南部受到威胁，随后他们迁至伊斯坦布尔，计划创办一档新的讽刺电视节目。然而，意外事件迫使该团体成员逐一做出抉择，思考如何继续前行。

暂无剧情简介

The horrors of war, the art of producing pictures, the autobiography of a master filmmaker and the parallels between the mass production of weapons and violent media images--all come together in Moving Pictures, a rich, multi-layered documentary. Over the course of a 50-year career, Colin Low has directed or produced 200 films, and has garnered a remarkable nine Oscar nominations. During the same period, he has collected images of war--etchings and woodcuts, including extremely detailed miniatures. But the images that have so fascinated and haunted Low are nearly impossible to accurately capture on film. So Low shot Moving Pictures in 35 mm and developed techniques--used here for the first time--to show the fine lines of stamps and the microscopic details of tiny copperplate etchings with startling clarity

Short documentary about Charles Laughton's 1995 film "The Night of the Hunter," with interviews with the cast and crew.

Jan Merta (1952) is currently one of the most important Czech visual artists. In his painting work, shaped by the postmodernism of the 1980s, he leans towards abstract abbreviation and symbolic depiction of reality through everyday objects. The film is a snapshot of his life filled with painting, working in his garden and cohabitation with his partner. The civilian camera follows Merta as he prepares an exhibition for which he attempts to create new works. However, his engagement with the current geopolitical situation enters into the work, as well as the discovery of new compositional principles and creative otherworldliness that co-create his enchanted personal world.

Švankmajer demonstrates the darkly humorous approach to life and politics which the Czech authorities at one time regarded as so subversive that they banned him from film-making for eight years.

The idea behind SICHTWEISEN is to stir up excitement for the 'old masters': Georges Méliès, Alice Guy-Blaché - Names that one might remember, but don't really connect with. Once a week we will upload a video dealing with one of these treasures from the early days of film. With your help we will be able to get a new generation fired up about masterworks such as A Trip to the Moon. Let us enthrall you - and help us to reach for the moon to show it to a new generation.

Pablo and Mariana, a young creative couple expecting their first child, discover Pablo is HIV positive. The news forces their separation. Pablo turns inward towards an ever increasing isolation. Mariana works with her theater students on the fears and prejudice of the new generation. Their child brings them back together again and they find a common goal in life.

There is little dialogue in Weston Currie's first feature-length film, The Perception of Moving Targets-a segmenting ogling gaze into four neighboring homes-and for good reason. The film's elemental shots do not ruminate upon their subject matter, they don't attempt to code or decode their objects, nor do they harry the realm of depictions. Rather, they plunge from the depths of psychosis for the purpose of jarringly alerting us to our own fragile loneliness. It is a psychosis that erupts from terror, the terror that occurs in those harrowing instances when we find our private subconscious bleeding into the material of the day-to-day, the real. The characters steamroll through effable routine towards a state that cannot be articulated, cannot be contextualized, but are alternately frozen in or revitalized from sensory paralysis. The visions, which are accompanied (and inspired) by the songs of Grouper, coerce the viewer to enjoy Sublime experience: to plunge into a porous space where ...